The origins of the puppet crew cut began when eagles Maganggong, son of Ki Gendeng Slingsingan Talaga area, studied the Islamic religion to Suta Kemit Jaya, a policeman (with security guards present) in a clever Gebang a performer.
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Cirebon - Jawa Barat
Brai traditional art is the only art that is not typical of Cirebon in other areas. Art is one cultural property assets arising Cirebon area and developed since the time of Wali Sanga on the island of Java. Art is still maintained by the pecintanya. However, this limited art lover and one and one of them can be found in the village Bayalangu, Gegesik Sub District. Cirebon.
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Cirebon - Jawa Barat
Berokan or Barongan art is the kind of activity that uses tools or berokan main barongan a form of imitation to animals and artificial lion lion body Duga played by a puppeteer who infiltrated into the artificial body while talking with a huge trumpet is held in the mouth.
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Indramayu - Jawa Barat
Gembyung essentially the same as Art Brai, but waditra used more advanced than the brai (tambourine).
Gembyung art is one art relics of the saints in Cirebon. This art is the development of the arts who lived in Fly boarding school environment.
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Cirebon - Jawa Barat
Chronicle Cirebon wayang created by Dalang Askadi Literature Cangkring Plered Suganda from Cirebon.
The story is usually appointed the history, legends, stories or fairy tales chronicle like doll transvestite Cirebon.
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Cirebon - Jawa Barat
Sintren or Lais existing since the time of animism and dynamism, which in those days was used as one tool to communicate with the spirits of the ancestors.
Sintren, is one of the traditional arts community along the coast pantura, such as Cirebon and Pekalongan Indramayu.
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Cirebon - Jawa Barat
Bungko Angklung is a typical art of Cirebon area Bungko villages in District Kapetakan. Waditra or instruments used are drums, tutukan, klenong and gongs.
The sequence of dance is dance Bungko Angklung Panji, Benteleye, Ngoyot Duck, Chicken Alas.
Arts Bungko Angklung traditional event staged in Cirebon like Nadran, and unjung greats.
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Cirebon - Jawa Barat
Occurrence in the annals of the kingdom during the puppet show Pajajaran there are two functions
for the ritual ceremony for Ruwatan and for entertainment
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Bandung - Jawa Barat
In Priangan obtained information that Tayuban until the 20th century its popularity is high, data written about the popularity of Tayuban appeared at the time Sumedang Regent to the prince Kusuma 18 Adinata (1836-1882) in Bandung Regency own Tayub is a favorite dance at the Regent Government RAA. Martanegara ( 1893-1919) and RAA. Wiranatakusumah who also was very passionate dance tayub
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Sumedang - Jawa Barat
Gitek means "shaking" while balen is derived from a term in Ajeng music (Betawi) meaning "in turns". This dance is a manifestation of the dynamism and agility of teenage girls.
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Jakarta Barat - DKI Jakarta
Seudati dance originated from the province of Nanggroe Aceh Darussalam. Seudati derived from the word 'Creed, which means witness / testify / recognition of no god but Allah, and Muhammad the messenger of God.
Kabasaran Dance (tari kabasaran) This dance is the dance of traditional soldiering Minahasa, who was appointed from the word; Wasal, which means rooster jenggernya cut the chicken in order to become more fierce in the fight.
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Minahasa - Sulawesi Utara
Ganjar Ganjur Dance This dance is a dance native traditions Kukar usually danced only at large ceremonies performed by relatives such as: Ceremony Reception Guest-Guest Great. Erau Ceremony, Ceremony Patching Kukar Sultan and others.
Datun Dance This dance is a dance with the girl Dayak Kenyah tribe with an uncertain amount, may 10 to 20 people. Historically, dance together was created by a Dayak headman in the Apo Kayan Kenyah called Nyik Selung, as a sign of gratitude and joy over the birth of a grandson. Then the dance evolved into all areas of Dayak Kenyah tribe.
Belian Bawo Dance Belian Bawo ceremony aims to reject the disease, cure the sick, be fulfilled and so forth. Once converted into a dance, dance is often served on special occasions reception and other art events. This dance is a dance of Dayak Benuaq.
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Kutai Kertanegara - Kalimantan Timur
Kancet Papatay Dance This dance tells about a hero fighting Dayak Kenyah enemy. This dance is very lively, agile, energetic and sometimes followed by the screech of the dancers. In Pepatay Kancet dance, dancers use traditional clothing Dayak Kenyah tribe is equipped with equipment such as saber battle, shields and armor. This dance accompanied by song Sak Paku and only use Sampe instrument.
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Kutai Kertanegara - Kalimantan Timur
Kancet Ledo Dance If dance Kancet Pepatay describe male virility and strength Dayak Kenyah, instead describing dance Ledo Kancet gentleness of a girl like a rice gently undulating blown by the wind. This dance performed by a woman wearing traditional clothes and the Dayak Kenyah tribe on both hands holding a series of tail feathers of birds Helmeted. This dance is usually danced on a gong, which is also called Ledo Kancet Dance Gong.
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Kutai Barat - Kalimantan Timur
: 2010-03-05 22:17:33
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Bungko Angklung is a typical art of Cirebon area Bungko villages in District Kapetakan. Waditra or instruments used are drums, tutukan, klenong and gongs.
This dance is the dance of traditional soldiering Minahasa, who was appointed from the word; Wasal, which means rooster jenggernya cut the chicken in order to become more fierce in the fight.
This dance is a dance native traditions Kukar usually danced only at large ceremonies performed by relatives such as: Ceremony Reception Guest-Guest Great. Erau Ceremony, Ceremony Patching Kukar Sultan and others.
This dance tells about a hero fighting Dayak Kenyah enemy. This dance is very lively, agile, energetic and sometimes followed by the screech of the dancers. In Pepatay Kancet dance, dancers use traditional clothing Dayak Kenyah tribe is equipped with equipment such as saber battle, shields and armor. This dance accompanied by song Sak Paku and only use Sampe instrument.
If dance Kancet Pepatay describe male virility and strength Dayak Kenyah, instead describing dance Ledo Kancet gentleness of a girl like a rice gently undulating blown by the wind. This dance performed by a woman wearing traditional clothes and the Dayak Kenyah tribe on both hands holding a series of tail feathers of birds Helmeted. This dance is usually danced on a gong, which is also called Ledo Kancet Dance Gong.